议论文是很多学生头疼的，写完总觉得哪里欠缺些什么，一篇好的议论文至少要做到以下四点，或者找到我们，帮你的文章润色。文章中举例了好的写法和坏的写法的对比，希望能帮助你更好的理解文化赏析essay代写艺术学essay代写。

 

Essay写作的结构

Essay的写作相对report要简单一些。通常只包括三个部分，Introduction, Main Body, Conclusion.Introduction包括topic的背景介绍和文章要解决的主要问题。一般占总字数的10%左右。Main Body是主体部分，占总字数80%左右。

 

如果题目中作了具体要求，就根据题目提到的几个方面来逐一讨论就可以了。有的题目没有作具体要求，就根据自己的构思来写。但要求有逻辑性。Conclusion也是占10%，在这一段里把文章中的主要观点用一到两句话概括出来。Essay可以不写题目，不要把小标题加粗。

 

一个好的论证论点是重点突出而不应该太宽泛突出重点很重要!不要试图在你的文章中讨论一个过于宽泛的话题，否则你会对你的写作方向和目的感到困惑和不确定。

 

结合生活细节

过去所发生的一些生活细节，你的想法或者经历，这些都能作为写好Essay的优秀素材。

 

你在业余时间喜欢做什么？你喜欢什么类型的电影或你喜欢哪本书？为什么？最喜欢的哲学家是谁？为什么？你最难忘的一个小时？你遇到的最尴尬的事情是什么？你遭遇的最大的失败是什么，你从中学到了什么？为什么你认为这是你最大的失败？

 

Analysis of Nymph of the Luo River by Gu Kaizhi

 

The painting Nymph of the Luo River is created by Gu Kaizhi, an artist in East Jin Dynasty in China, and it is inspired by Cao Zhi’s “Nymph of Luo River”, a poem in the Three Kingdoms period. This story tells the romantic story between Cao Zhi, the prince, and the Nymph of the Luo River in his dream. Though this painting has lost due to a long time, the facsimiles of the original work maintain the characteristic of Gu. Gu divides the silk scroll of the painting into three parts, recording the confront, fall in love, and break with each other. Presenting a distinguishing myth love story from the West, Nymph of the Luo River reflects the different states of Nymph and Cao Zhi through details, indicating their unequal social status combined with the temporal Polygamous system.

 

The visual effect of Nymph of the Luo River is presented by the temporal combination of the social status that there is a huge gap between the deity and the ordinary person. The painting presents the status difference between the prince and the Nymph that a prince is a mortal person while the other one is the deity high above. Nymph of the Luo River is created in a long scroll, Gu puts different plots into one scroll, the character Cao Zhi and the Nymph appear in different location within a complete scene, creates a spectacle frame that is very compelling. It seems that they are not able to touch each other, as their communication is based on language and behaviors with certain distances in the entire process. Nymph of the Luo River presents the story through continuous pictures, and one figure appears in the painting repeatedly. Besides, the landscape scenes are not only the still life but also the background of the story in continuous pictures. The companions and the landscape around the two characters are arranged properly according to the specific surroundings, being sparse or dense in different spaces. The mountain, stones, trees, and river divide the plots clearly, making the scenes separate but linked. The surroundings of Nymph are composed of mythical creatures, beautiful lotus, and Anser cygnoides. They indicate the holy image of Nymph, setting off her lithe posture. Correspondingly, the surroundings of Cao Zhi are arranged with things in the mundane world only, such as trees and horse. Thus, the identity of the two characters is shaped differently through the different structures of space. Another approach for Gu to highlight the different status of Cao Zhi and Nymph is the description of their overall forms, including gestures, facial expressions, and the clothing. The first scene when the scroll is unfolded is the Cao Zhi who is standing on the shore with a stagnate expression. His looks at the Nymph infatuatedly who is on the wave distantly. The Nymph combs her hairs delicately, her dress is fluttering with breeze, making a sense of the divinity. She is about to leave but also wants to stay. The second scroll is about the meeting between Cao Zhi and Nymph and they still keep certain distances, the facial expression of Cao is enamored and exciting and that of Nymph is shy and restraining. The final scroll presents the parting between the two persons. Nymph is leaving in the clouds and leaves Cao Zhi on the shore only, they are both fistful but have to depart. Be different from the affair between deity and the ordinary person in the west which shows an open attitude, Nymph of the Luo River presents an introverted feature, the characteristic of Chinese.  

 

Nymph of the Luo River indicates a different attitude to love between the deity and the ordinary person from that in the West that one is introverted while the other one is open and hot. The directest difference is presented by the gender identity. It is typical in Chinese myth love story that the gender of the deity in the story is the female and that of the ordinary person is the male. In China, the female is the part which asks for the male to pursue, and the initiative is mastered by the male while the conditions of the female do great importance. The design of the Nymph reflects the male’s thoughts that they would like to pursue a female who has a beautiful look. Besides, these deities are all high above and purity. They are beautiful, holy, kind, and innocent. Oppositely, the gender of the deity in West love story is usually the male and the other part is the female. The male deities are only the incarnation of the ordinary person in divinity, which could be seen from the description that the Greek deities always keen on the pursuit of the mortal female. They are the same as the human males who are capricious, love pleasure, and have strong sense of vanity, jealousy, revenge, and power. Besides, they also betrayal with the beautiful mortal woman. The reasons to explain the difference between the western and the eastern myth love story lies in the different traditions. As is well known, Chinese people are implicit and the traditional thoughts think that the marriage can be arranged by the elder generation only. Chinese traditional idea of equality is an important concept in Chinese culture, and only those people who have equal or similar social statuses are considered a perfect match, especially in marriage. Inversely, the westerns are unrestrained and dare to pursue love and sexuality enjoyment.

 

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